leather

Learn How to Tool Floral Leather Tooling Patterns

You bought a mess of leather stamping tools for tooling leather tooling patterns.

What do all these tools for stamping leather do and where to use them?

This is a common challenge for us when we start tooling leather.  We gather all the tools, a good mallet and some floral tooling patterns.  Yet we are unclear of what some of tools are for or how to use them.

Other areas that I struggled with early on was the proper order to use the tools in.  I found myself rambling through the patterns in a completely random fashion.  This led to long tooling sessions that left me feeling a bit lost and confused.

If you are new to tooling leather tooling patterns, then you are going to find great value in this!  Here you will find a 4 part video series that we created for our YouTube Channel.  The series is called “How to Tool Floral Leather Tooling Patterns.”

Each video covers a certain number of stamping tools in the order that I use them in my work everyday.  You will see how I use each tool for this particular tooling pattern.  The use of many of these tools takes practice and sometimes requires a little trick to use and we go through this in the videos.

So let’s just jump right in and get started!

Leather Stamping Tools Used in the Videos

Many of my tools are without specific numbers on them, but with these videos you should be able to find a comparable tool that works for you.

Remember:  It isn’t the Tools, it’s the “Tooler” that makes a pattern work.

I mention in the video that a lot of my tools are Barry King Tools, but still a good many of them are Craftool and CraftJapan brand.  I am a big fan of Barry King Tools, but I also will use any brand of tool if it does the job I want it to do and it is readily available.  I also use a few of Clay Millers geometric stamps and I think he builds some great stamps.

Don’t get too wrapped up in having the exact tool that me or someone else uses.  The point is to learn what each tool does and the proper way to use them.  From here you can make a decision on the specific tool that works best with your style.  You do not have to buy only expensive custom stamps.  The cheaper stamps on the market can still be used to create quality projects.

I would rather see you spend your money on quality leather to stamp than investing in a pile of stamps that may or may not fit your tooling style.

In this video, “Leathercraft Tool Roll,” I go through all the stamps in my Tool Roll that I use for 99% of my tooling patterns.  Check it out for a complete breakdown and explanation of my stamps.

How to Tool Floral Leather Tooling Patterns Videos


Before you get started watching these videos, Click Here to download your FREE copy of the tooling pattern used in the video.  That way you can tool along with me as you watch the videos!



Before you get started watching these videos, Click Here to download your FREE copy of the tooling pattern used in the video.  That way you can tool along with me as you watch the videos!


Drawing Vinework in Leather Tooling Patterns

Introduction into February Tooling Floral Theme

For the entire month of February, I want to focus on floral design and tooling.  Everything from drawing leather tooling patterns, carving them, and tooling them.  I want to spend the time using our different platforms to help you improve your tooling and design.

So whether you are a seasoned leatherhead or a rookie, be ready to follow us into this deep subject.  We will not have enough time in one month to cover it all.  We won’t even have enough time to cover a quarter of the subject.  But I hope to shed a little light on the subject and hope that you will find value in it.

Tooling isn’t something that you can just read one book about, watch one youtube video, or spend one weekend in a workshop and become a master at.  Learning to draw leather tooling patterns and to tool them, takes practice and commitment to the idea that you will become a true life long student of the subject.

You have to be okay with the fact that you will never be a finished tooler that requires no more training or growth.  Leather tooling patterns change over time and styles are always on the move.  The tooling designs that you come up with today, will be different than the patterns you design 10 or 20 years from now… even if only slightly.

Designing Vinework in Leather Tooling Patterns

*This is an excerpt from our eBook “Introduction to Leather Floral Design” 

The bulk of leather tooling patterns is the “fill” or vine work that surrounds the flowers and other elements within the pattern. As we talked about in a previous section, this fill determines the direction and flow of all the elements. This is the part of the pattern that is the reason for different elements being where they are in the pattern.

Designing the fill is where the majority of the creativity is shown in your designs. You have the opportunity to be as creative as you would like to be with this area of your patterns. You are free to design the fill in any way that you find fits with your style but you are bound by the rules of direction and flow. This means that as you begin to construct the fill of your pattern, you must be aware of the direction and flow that you decided upon when laying out the framework of your design.

Before we begin trying to construct the fill of any of our leather tooling patterns, we must first understand the different aspects of the vine work that make up the fill. Much like flowers, leaves, and other elements that you will draw, the vine work has certain aspects in their design that need to be understood to design them well for tooling into leather.

Vine Structure

The simple vine structure that is most common is shown in this drawing. As you can see this structure is usually used in conjunction with many of the same in order to create a group of vines moving along a circle or flow line to create the fill.

When we dissect one section of the vine work, we can see that each one of the vine segments is simply a LONG LINE and a SHORT LINE.

The Long Line is the bottom side of the vine and is the part of the vine that gives it its length and its motion.

The Short Line is the top of the vine and the portion of the vine that finishes off the vine. This short line normally intersects the long line of the next vine up the line.

 

 

In this drawing I have drawn the Long Lines in pink and Short Lines in green.

You can see here how the long lines are setting motion from the flower at their tips and curving back towards the layout circle as they get longer.

Each long line is spaced apart taking into consideration the space needed for the short line while considering the size of the background piece that will be left.

If you want more background or less, then you would space the long lines accordingly. If they are closer together, you will have less background. If they are farther apart you will have more background.

After the long lines are in place, the short lines are added in which closes off the vine and separates it from what is to become background.

The long lines are set in place using the layout circle as a guide for their motion. The long lines are not touching the circle as they end. This is to leave space for the next long line to come in. This same concept is used on flow lines as well as we will see next.

This same architecture works on flow lines as well to carry the desired motion of the vine work on a given path.

No matter what side of the flow line the long lines are on, they still work back towards the flow line much the same way they do in a layout circle and do not touch it.

This simple idea of the framework should help you to see the way the majority of vine work is created and why.

Virtually every piece of vine work can be broken down into the two individual pieces that are used to create it… the long line and the short line.

Take a pattern that you have drawn before reading this book and use two different highlighters to highlight the long lines and short lines in your pattern to see what areas of your design you need to work on.

 

 

 

 

Many times there are places in a pattern where there is not quite enough space for two separate vines, yet too much space for only one vine to be there.

This is when two leg and three leg vines come in really handy. These are constructed in much the same way as any other vine.

The three leg vine, as drawn here, has three long lines and three short lines.

This allows you to add a small amount of motion in a tight area as well as gain a glimpse of direction change within the pattern.

A two leg vine would be the same as the three-leg only without the center long and short line in it.

 

 

 

Although Scrolls are technically a part of vine work, I do not consider them a part of the Fill.

These are more of an element in the pattern and we use them as focal points to enhance the balance and motion of the design.

For this reason I do not use the terms Long Line and Short Line when referring to their construction. They would be drawn into the pattern much the same way as a flower or leaf.

I usually decide on their placement in the pattern during the framework or initial lay out of the design. This is to ensure that I have them balanced the way that I want them and in place before I begin adding in my fill.

Once the Scroll is drawn, you can build upon it with your vine work as we have discussed using the scroll as your flow line or guide for flow.

 

Conclusion

The vinework of any floral pattern is, for me, the funnest part of the pattern.  This is where you can let your mind go a little and be as creative as you want.  Outside of the handful of fundamental rules, there are no limits to what you can create within this aspect of the tooling.

If you are just getting started in drawing your own leather tooling patterns, then I would strongly suggest focusing on the vinework in your practice sessions.  Drawing vinework is very often the most challenging part when folks are learning to draw.  Take the time to practice everyday until drawing vinework becomes second nature.  Then you can turn your attention to Drawing Flowers and Leaves.

Did you find this article helpful?  If you would like to go deeper into this subject of drawing your own leather tooling patterns, then get a full copy of our eBook “Introduction to Leather Floral Design.”  Receive a free 5 Day Mini Email Course with your purchase of this digital book. Each day for 5 days, you will receive an email with an exercise that will help you to dive a little deeper into the topics discussed in the book.

How to Cut Parts from a Leather Hide

In this video, I show you how to cut parts from a leather hide for many types of different projects.

Choosing the right leather and the right spot to cut the parts on the hide, is crucial to creating the most functional and beautiful piece that you can.

If you are new to leatherwork, then cutting into a brand new full side of leather can be daunting.  But in this video I help to clarify some of the mystery and hopefully help you to feel confident that you are utilizing the resource to the best of your ability.

For more video tutorials like this, be sure and subscribe to this channel.  Also be sure and check out all our other Leathercraft Resources at https://dgsaddlery.com/ and while you are there don’t forget to sign up for the Leathercraft Newsletter!

Here are some links for suppliers of Herman Oak Leather which is the leather that I use in my shop:

https://makersleathersupply.com/

https://www.panhandleleather.com/

http://www.hermannoakleather.com/

Thanks a bunch!

Quick Tip on Leather Hole Punches

Leather hole punches are an absolute necessity in any leathercraft shop.  No matter the size of your hobby or business, hole punches are a must have. In this video, I give you my recommendations on style of hole punches that I like as well as sizes.  You don’t need to go out and invest a huge amount of money buying all the available sizes of hole punches.  I recommend, and use daily, three sizes and I will show you what those are and why.

The brand of tools in this video, both squeeze punches and drive punches, are all C.S. Osborne tools.

https://www.csosborneleathertools.com/

Our website

https://dgsaddlery.com/

Leather Sewing Machine Best Practices

Sewing leather is by far the most common task that we have in our leather shops.  Whether you are hand sewing everything, or using a leather sewing machine, you will have to sew leather on just about every project.  In this post, I share the first of a three part video series on leather sewing machine best practices with the hopes of helping you become more efficient and safe while using an electric sewing machine.

When I started doing leather work, I didn’t have a leather sewing machine and spent many hours hand sewing my projects.  Though this is not the most efficient way to complete projects, I do believe that it is very important to become proficient at this skill.  So if you are still in the hand stitching stage of your leatherworking journey, don’t fret!  You are at a very important stage and learning this skill will serve you well for the rest of your leather career.  But when the time comes when you can upgrade to an electric sewing machine, I would highly recommend adding this piece of equipment to your shop. Continue reading

How To Make a Wristlet Purse

Our newest video on our YouTube channel shows you How To Make a Wristlet Purse.  I have had many questions about some good projects for using up the piles of scrap leather that we all generate in our shops.  Whether you are a hobbyist or a professional saddle maker, you probably have leather pieces in a box under a workbench that you saved for that special project.

Well, here is that special project!  I am the farthest thing from a professional bag/purse maker, but in this video I show you a simple wristlet purse that I designed that I believe is fairly simple to assemble and has a lot of potential.  I have found that when it comes to making purses, options and coordinating different colors, leathers, exotics, fringe, conchos, etc is key for them to sell well. Continue reading

How to Slick Edges on Leather

I have already written an article here on how to slick edges on leather, but in this blog post I want to share a video that I did that goes a little more in depth on slicking edges on leather.

If you have done any amount of leather work at all, then you have experienced the chore of finishing your edges on your various projects.  If you find this task time consuming and boring, then you are not alone.  This is probably the one task in all my projects that I do not love (actually dislike) the most when it comes to making anything out of leather.  But, at the end of the day, if you are going to do leatherwork and want to have a professional look about your work then you must properly slick and finish your edges. Continue reading

Making a Leather Portfolio

I have had a lot of request for more videos on our YouTube channel that show projects from start to finish.  This video shows the complete process of making a leather portfolio.  These leather portfolios have been great projects for me over the years and they have so much room for customization.

Even during this age of digital organizers, cell phones and apps that help business stay on track, many people continue to use a legal pad and pens to conduct and keep track of daily activities.  The other thing that keeps customers ordering these items is that they tend to catch a lot of eyes.  Walk into a board meeting, have lunch with a client or have one of these on your console when showing properties to a home buyer and you are sure to start a conversation.

My goal with this post and video is to show my process and how I approach making a legal pad portfolio.  There are many different ways to create these and many different styles and sizes, all of which accomplish the same end result.  This video is simply the process that I have found that works best for me.

Continue reading

Undercuts in Floral Tooling

Leather stamping tools can be somewhat overwhelming when you look at all the different brands, styles and types that are available from all the different producers.  Then you try to figure out which tools you actually need versus the ones that are just nice to have.  There seems to be an infinite amount of choices in the “nice to have” category.  While there are many stamping tools that fall into the “nice to have” category, Undercuts are not one of these.

In my opinion, undercuts belong in the “must have” category for any tool collection.  I have seen many collections where the maker simply made his own version of undercuts but the fact is that he had a set.  Much like a beveler, the undercut is one of those tools that can make your job smooth or the lack of them can hinder your tooling progression.

In this article we will discuss the purpose of undercuts along with some of the ways to modify them to make them unique to your style of tooling.  If you have watched my video on My Tool Rollthen you have seen the types of undercuts that I use and the different sizes. Continue reading