Tooling leather tips

Cutting Ears on Custom Saddles

One of the most difficult steps in building custom saddles is fitting the saddle seat and cutting the ears.  In this post I will show you my trick for insuring that every saddle ear you cut will be perfect.  Whether you are a beginner or you are a seasoned veteran, this tip will take the fear out of tackling this step.  There are many different ways to accomplish this, but here is my process. Continue reading

Tooling a Leather Wallet

For many of us that start in leather work, we start by making small leathergoods such as wallets, belts, and knife sheaths.  In this video I show you my process of tooling a leather wallet.  Everyone has a different approach to tooling floral design so keep in mind there are other ways of doing this. Continue reading

My Antiquing Process

So your belt is tooled, dyed, painted and oiled.  Now all we have to do is antique it and we are ready to line and stitch it!  This is the point at which many craftsmen new to leatherwork will make a few mistakes.  I hope that my process helps you to clear up this step.  You certainly do not have to antique your belt but I feel like the antique really helps to make the tooling stand out and gives added tone and depth.

The first thing that most people new to leatherwork miss is that the belt must be sealed with a resist before applying the antique.  Whether you are using the paste antique or the gel, a barrier is needed so that the overall color and tone of the belt is not changed.  The antique is not meant to change the color of the leather, its main purpose is to fill any cuts, impressions, and background texture to highlight and shadow the depth of the tooling.  This is why I get the final color of the belt with oil before this step; because once the belt is sealed I can’t get oil into the leather if I want it darker.

The resist I use, or sealer, is Feibings’ Tan-Kote Finish.  This finish is not a lacquer finish like NeatLac or WyoSheen, which would lift a lot of any paint work off the belt.  If you are finishing a belt that doesn’t have any paint applied then these finishes are great to use.  But if the belt has a lot of paint then it’s best to stay away from these finishes and use the Tan-Kote.  I apply a liberal amount of Tan-Kote on the belt and work to make sure it’s even and doesn’t have streaks.  Now I let this dry really well, at least an hour or so.

Once the finish is dry, the belt is ready for the antique to be applied.  I use square pads cut from scrap sheepskin to apply all my finishes… keep a pile of these cut so they are ready for any finishing task.  I use the Feibings Antique Paste, and the color I prefer is the Dark Brown.  They make a few different colors and they are all fantastic but the dark brown is my go to color for the look I prefer on my products.  You can put a dollop of paste on a small square of plywood which allows you to wipe up as little or as much paste as you need with the sheepskin square during application.  You want to apply the paste liberally to the belt and work it into the tooling in circular motions to be sure and get it into all the cracks and crevices being sure to not leave any areas missed by the antique.  Do this to the entire belt.  It will appear to onlookers that you have gone mad and you are ruining a perfectly good belt, but stay calm and keep working it around.  Here is where differences vary, some say to leave it for a few minutes before cleaning… I say once you’re sure that it’s worked in well, then take a clean pad and begin wiping the excess paste off the belt.  The goal here is to attempt to get as much of the paste off the belt as possible.  You want to be somewhat gentle as to not burnish the grain of the leather but you want to clean it well with clean pads until you’re satisfied that you got it all.  All that should be left is what is down in bevel lines, background texture, decorative cuts, etc.

My final step is to take a magic towel (This is a towel that is used to wipe hands after oiling, antiquing, cleaning machines, wiping knives after sharpening, spilling coffee, etc.) or any soft hand towel, and gently buff the belt to further polish any residual antique and revive any lost luster from the resist coat of finish.  Don’t go crazy here, as previously mentioned, we don’t want to burnish the grain of the leather but we do want it clean of excess antique.

Now turn the belt over and look at the back… see that mess?  If you would have lined the belt before the finish steps, then your belt liner would look like that… I don’t care how clean you think you can be, antique takes no prisoners.

This post is an excerpt from out eBooklet “Custom Belt Design and Layout” we posted a couple of weeks ago.  We will soon have more of these eBooklets available walking you through the step and processes I use in the shop in creating our custom pieces.  If you are interested in purchasing this eBooklet then click the link below and download a PDF copy today!

Custom Belt eBooklet $5 Download
Custom Belt eBooklet
$5 Download

*I apologize for the lack of photos in this post… fast and furious this morning and Freddy is cracking the whip!  I will try and snag some pics during my day and post them in a followup post!  

How to Draw a Leather Wallet

Learning how to draw on leather can really help to speed up your work and help you to not waste time drawing something and then having to transfer it later.  This is article will show you how to draw right on your projects and feel confident in your drawing skills.

How to Draw On Leather

how to draw

The first thing I do is find my center of the wallet where it will fold.  To allow room for the fold I make a mark 1/2″ on each side of center.  I do that on each edge of the wallet, so you should have four marks.

how to draw
Now I draw a line connecting the marks to define the fold area… I don’t usually tool the fold on my wallets.  Next I set calipers to the width that I want my border and scribe my border lines.  You should end up with two tooling windows ready for design.

how to draw If I’m  putting initials on the wallet I draw these in first.

how to draw
Here I have placed a flower next to the initials which will seperate the initials from the floral nicely.  Next I draw in some scroll guidelines roughly to determine the flow I want within the pattern.

how to draw
Now I begin to define my scrolls and vine work using my previous lines as a guide for flow.

how to draw
I didn’t like how the flow was layed in at first so I just simply erase the two lines I don’t like.  Using the 8B pencil allows me to erase and leaves no impression of the lines behind.

how to draw

I decided to fill some space with a leaf. When you add leaves and flowers into the pattern, keep the flow in mind so that it bends and shapes accordingly.

how to draw
As you can see the leaf took a lot of the open space and the gaps can easily be filled now with scroll and vine work.  For the most part, the original flow I sketched in is maintained.  The only thing I really changed was using the leaf to balance the pattern a little.

Let us know what you think about this or any other post on our site by following us on facebook, Instagram or twitter.  Thanks and keep drawing!